Najlepszy Dyplom

biography

Malwina Hajduk
(born in 17th November 1992 in Zabrze, Poland)
2016 - MA diploma, faculty of Graphic Arts and Media Arts, at The Eugeniusz Geppert Academy
of Art and Design in Wrocław, Poland. Diploma in printmaking realized at prof. Przemysław Tyszkiewicz’s Intaglio Studio, graphic design at PhD. Tomasz Broda’s studio.

Scholarships
2015 - Exchange scholarship on University od Tenneesee | Knoxville, Tenneesee, USA
2015/2016 - Rectors Scholarship for most talented students on The Eugeniusz Geppert

Outdoors
2013 - Painting | Luboradów
2014 - Printmaking | Museum of Paper, Duszniki-Zdrój, Poland

Selected exhibitions
2016 - The Eestemeed Graduates of Polish Anademies of Fine Art’s | Great Armoury, Gdansk, Poland
2016 - Museum of Contemporary Art | Isfahan, Iran
2015 - 2015 - Best Print | ASP Wroclaw, Wroclaw, Poland
2015 - Gallery 1010 | Knoxville, Tennesse, USA
2015 - International Print Triennial, Gallery of the Academy of Fine Arts, Cracow
2015 - Grand Prix of Young Polish Print | Cracow, Poland
2015 - Printmaking Exhibition | China Printmaking Museum
2015 - 9th Student Print Biennal | Gallery Arsenal, Poznan, Poland
2015 - Printmaking exhibition | China Printmaking Museum
2015 - 18th International Print Biennial Varna | Boris Georgiev City Art Gallery, Varna, Bulgaria
2015 - SGC International Printmaking Conference, ‘THE WROCLAW SCHOOL OF PRINTMAKING’ | Art & Architecture Building, Knoxville, Tennessee, USA
2014 - 2014 - Best Print Competition | Gallery Conrete, ASP Wroclaw, Wroclaw, Poland
2014 - 2014 - The Wrocław Scholl of Printmaking | Gdansk, Poland
2014 - Print exhibition | Museum of Paper, Duszniki Zdroj, Poland

Jean-Paul Sartre said, there was no one common nature to all humans. It is determined by the epoch, in which they live. Similarly with objects - people give things souls, "spiritualize" them, but they can also remove the spirituality from them, for example by changing their function or to whom they belong. In my work I try to spiritualize stones, and to give them some value. Most important for me is the relationship of stones with durability and ephemerality, with memory and forgetfulness, with giving them positive and very negative value, but above all with the perfection of their form. In my work I create a universe that is completely unknowable. The background is black and as in the universe I can not say whether it has boundaries and whether it is limited. The stones in my work are chunks of a larger whole and they are looking for boundries.