Dominika Godlewska White people

supervisor: dr Wojciech Sobczyk
Pedagogical University of Krakow
Faculty of Art – Graphics

biography

Dominika Godlewska

born: 1.01.1992

 

EDUCATION:

 

 

History

Master’s degree, Jagiellonian University in Kraków

2014 - now

 

Graphic Arts

Bachelor’s degree, Pedagogical University in Kraków

2013 - 2016

 

Erasmus scholarship, Marmara University in Istanbul, Turkey

Septemer 2015 - February 2016

 

History

Bachelor’s degree, Jagiellonian University in Kraków

2011 - 2014

 

INDIVIDUAL EXHIBITIONS:

White People, Galeria Wydziałowa Kraków, December 2015 - January 2017

Rozciągnięci, Art festival Wschod Kultury/Inny Wymiar in Białystok, July - September 2015

 

SELECTED GROUP EXHIBITIONS:

Best diplomas 2016, Telpod Kraków, January 2017

Printing of the year 2016, Messier 42 Gallery Krakow, June 2016

Haydi Haydi, Tasarim Atolyesi Kadikoy, Istanbul, January 2016

Conflict, Otwarnia Pracownia Gallery in Kraków, June 2015

 

COMPETITIONS:

Ist Prize, Bus stop/Sketchbook, art in the urban space, Kraków, March 2016

Honourable mention, Culture All in UJ, art of the student’s of Jagiello­nian University, April 2016

Official selection, poster promoting security in workplace, August 2015

My diploma artwork is an artistic interpretation of the short horror story „White People” by Arhur Machen. The story contains of two parts: a discussion between two friends and a diary of a young girl. I decided to create a book that would be a visual interpretatation of the story's composition. I made an attempt to „materialize” the tale, „translate” it from the literary language to the language of art. I illustrated the whole story with 23 lithographies, created with different techniques, characteristic for this type of printing (mokulito, asphalt, transfer, monotype, traditional lithography). They are characteristically and consequently restricted in colours, only black and white. According to this minimalistic colour palette, I tried to portray the disturbing atmosphere of the story. Its mistery is in understatement. The shades of gray I used harmonize with the incertitude and difficulty of assessments, definition of the essential issue the main characters disscuss: what is a sin?