Beata Filipowicz Fields of possibility
supervisor:
prof. Przemysław Tyszkiewicz
Academy of Fine Arts in Wroclaw
Faculty of Graphic and Media Art
Faculty of Graphic and Media Art
biography
(b. 1992, Poland) lives and works in Wroclaw. She received her MA in Printmaking at prof. Przemysław Tyszkiewicz’s Intaglio Studio and graphic design at ad. Tomasz Broda’s Illustration Studio. In 2017 she participated in collective international printmaking project ずれた – Zureta – The Misprint, at the Chinretsukan Gallery, Tokyo University of the Arts in Japan and 6 th Guanlan International Print Biennal, China. She has exhibited in several group exhibitions in Poland and abroad including: ‘WSP’, Museum of Contemporary Art in Isfahan, Iran (2016); ‘The Young in the Museum. The Top Level ‘, National Museum in Wroclaw, Poland (2016); After Eden’, LATARKA Art Gallery, Budapest, Hungary. She is finalist of 14th edition of
the Hestia Artistic Journey’, Museum of Modern Art, Warsaw (2015); In 2018 she received the award of the Marshal of the Lower Silesian Voivodship for the Best Diploma of the Year 2017 at the Academy of Fine Arts Eugeniusz Gepperta in Wrocław.
self-commentary
Beata Filipowicz is an artist who experiments with traditional printmaking. An author’s edition opens the possibility of changes in the content and language of the works. Her creative process is guided by intuition where imagination, coincidence and automatic drawing, play an important role. In the Fields of Possibilities series she express great admiration for the structure of the world, explores phenomenon of life and nature from universal and personal perspective. Her ideas has different source that often refers to eastern philosophy and observations of contemporary physics. The area of her interest is metaphysics, she believes in G. Chirico’s words: ‘Everything has two aspects; the current aspect, which we see nearly always and which ordinary men see, and the ghostly and metaphysical aspect, which only rare individuals may see in moments of clairvoyance and metaphysical abstraction.’
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